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Announcing the 24th Annual SDUFEX Undersea Film Festival

The 2023 San Diego UnderSea Film Festival will be held Friday, October 6 and Saturday, October 7 at the Irwin M Jacobs Qualcomm Hall. Join us for a wonderful evening featuring some of the best underwater short films from around the world.

There will be a unique program each evening and tickets are available now at SDUFEX.com.

If you are unable to join us in person, tickets will be available to watch our virtual film festival October 9-31.

Variations on the Theme of Opposites: Contributors' Picks

Photo by Anita George-Ares: Moray eels, Maldives. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 18-55mm f/3.5-5.6 IS STM lens (at 26mm), Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/8, 1/160s

We asked our contributors to share their favorite underwater images showing variations on the theme of “Opposites,” and they came back with a diverse range of color and black-and-white photos featuring marine life from large whales to tiny nudibranchs and fellow divers on reefs and wrecks, in caverns and cenotes as well as open waters.

Sequential Shots

The transition from analog to digital cameras has been a boon for photographers, granting them unlimited shots and freedom of movement. These circumstances lend themselves well to the technique of shooting sequential stills. Underwater photographer Claudio Ziraldo shares his insights and tips on taking sequential shots underwater.

Ambient Light in Underwater Photography

Photo by Kate Jonker
Photo by Kate Jonker: Capturing the sun’s rays when the surface of the water is calm and flat can add a whole new dimension to your images. Long Beach, Simon’s Town, South Africa. Gear: Canon EOS 7D Mark II camera, Tokina 10-17mm fisheye lens, Sea&Sea housing. Exposure: ISO 160, f/11, 1/200s

We asked our contrib­utors what their favorite images were, captured using ambient light only, and they came back with a diverse selection of photos featuring sublime underwater scenes from a variety of dives on reefs and wrecks, in caverns and cenotes, as well as with interactions with marine life.

Capturing Emotion in Underwater Photography

Fish photographed from the front
A head-on photograph of a fish allows one to “look the fish in the eye,” arousing many more emotions in the viewer. Photo by Cristian Umili

When immersing ourselves in the underwater world, we experience a flood of emotions—both in relation to the depths and to being in an environment that is not our own, in which we can almost fly. But our encounters with marine life excite us even more, especially with sharks, dolphins and huge shoals of fish, but also small and colourful nudibranchs, or microscopic shrimps.