Contributors' Picks

Gem Tones in UW Images: Contributors’ Picks

Photo by Anita George-Ares: Hawk anthias, Taveuni, Fiji. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 60mm f/2.8 Macro USM lens, Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/11, 1/200s.

We asked our contributors to share their favorite underwater images with gem tones of ruby red, emerald green, sapphire blue, amethyst purple, amber topaz or sparkly diamond, and they came back with a brilliant selection of macro and wide-angle shots featuring a diverse range of marine species and underwater scenes.

Ornate & Ornamental: Contributors’ Picks

basket star
Photo by Kate Jonker: The ornate arms of the basket star, Astrocladus euryale, help to collect food particles as they pass by in the water column. Gordon’s Bay, South Africa. Gear: Nikon D850 camera, Nikon 105mm macro lens, Isotta housing, two Inon Z-240 strobes. Exposure: ISO 200, f/18, 1/250s.

We asked our contributors to share their favorite images of the ornate and ornamental in the underwater realm, and they returned with a fine selection of macro and wide-angle shots featuring a diverse range of marine species from fancy fish, cephalopods, crustaceans, echinoderms, crinoids, corals and anemones to dappled whales and sharks to delicate nudibranchs and sea slugs.

Black as a Design Element: Contributors’ Picks

ornate amphipod
Photo by Kate Jonker: Moonwalker—ornate amphipod photographed using a snoot torch to create a black background (above). Gear: Olympus TG-6 camera, Marelux housing, Minigear torch. Exposure: ISO400, f/18, 1/1000s.

We asked our contributors to share their favorite underwater images that use black as a design element, and they came back with a dynamic selection of macro and wide-angle shots featuring a diverse range of marine life, haunting wreck scenes, dramatic underwater topography, and even divers. 

Signature Traits: Contributors' Picks

Photo by Gary Rose: Great hammerhead shark (previous page), Bimini, Bahama Islands. The shape of the cephalofoil (head) and the huge dorsal fin are quick identifiers. Gear: Nikon D500 camera, Tokina 10-17mm lens at 17mm, Nauticam housing, Inon Z-330 strobes. Exposure: ISO 400, f/11, 1/125s.

We asked our contributors to share their favorite underwater images that showcase the distinctive features of various underwater creatures, and they returned with a broad selection of macro and wide-angle shots featuring a variety of marine life, from majestic sharks and sea turtles to tiny nudibranchs and crustaceans.

Transparent & Translucent: Contributors’ Picks

Photo by Kate Jonker: Translucent strawberry anemones, Corynactis annulata, can be made to glow by lighting with a snoot positioned above and slightly behind them. Simon’s Town, South Africa. Gear: Canon EOS 7D Mark II camera, Canon EF 100mm macro lens, one Inon strobe with Marelux SOFT Pro snoot. Exposure: ISO 100, f/25, 1/250s

We asked our contributors to share their favorite underwater photos showing the transparent and translucent qualities of underwater creatures, and they came back with a range of macro and wide-angle shots featuring a variety of marine life.

Tones & Tonality: Contributors' Picks

Photo by Scott Bennett: Bigeye jacks, Sipadan, Malaysia—cool tones. Gear: Nikon D200 camera, Sigma 10-20mm lens at 10mm, Hugyfot housing, two Ikelite D125 strobes. Exposure: ISO 100, f/6.3, 1/80s.

We asked our contributors to share their favorite underwater photos that showcase tones and tonality, and they returned with a range of wide-angle and macro shots featuring a variety of marine life, reefs and topography.

Seascapes: Contributors’ Picks

Photo by Matthew Meier: Scalefin and purple anthias over leather soft coral and a sea fan covered in pink and purple soft corals, Bligh Waters, Fiji. Gear: Nikon D810 camera, Nikon 16-35mm lens, Subal housing, Sea&Sea D3 strobes. Exposure: ISO 800, f/6.3, 1/125s

We asked our contributors to share their favorite photos that show underwater seascapes, and they came back with a range of wide-angle shots, featuring a variety of marine life large and small.

Pairs & Companions: Contributors’ Picks

Photo by Anita George-Ares
Photo by Anita George-Ares. Thorny seahorses, Dumaguete, Philippines. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 60mm f/2.8 macro USM lens, Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/11, 1/160s

We asked our contributors to share their favorite photos that show pairs and companions, or two of a kind, and they returned with a range of macro to wide-angle shots, featuring a variety of marine life large and small from around the world.

Framing in Underwater Photography: Contributors' Picks

Photo by Kate Jonker: Using the light of a snoot to frame a subject against a black background. Horned blenny, Blousteen, Gordon’s Bay, South Africa. Gear: Canon R5 camera, Canon 100mm macro lens, Marelux MX-R5 housing, Inon Z-240 strobe, Marelux SOFT Pro snoot. Exposure: ISO 320, f/20, 1/200s.

What does a “frame within a frame” look like in underwater photography? We asked our contributors to share their favorite photos that use “framing” to draw attention to the subject in the image, and they came back with a range of macro to wide-angle shots, featuring a variety of marine life, as well as divers, in wrecks and on reefs.