Equipment

Dealing with Floods

Photo by Larry Cohen
If you work underwater long enough, at some point, you will experience the horror of a flood.

Flooding a camera and other underwater photo gear is a nightmare for all underwater image-makers. Unfortunately, if you work underwater long enough, at some point, you will experience the horror of a flood. Over the years, I have flooded a Nikonos V, a film camera, a housing, several strobes and some dive lights. I have also had minor floods on a few digital camera housings.

Panasonic Lumix GH6

It supports an improved in-body image stabilization (up to 7.5 stops) and upgraded video features. The new sensor delivers 14fps in AF-S mode (8fps in AF-C mode) when using the mechanical shutter, and 75fps (in AF-S mode) with the electronic shutter. The GH6 can record 4K/120p video at 10-bit 4:2:0. Furthermore, full V-Log/V- Gamut has been added, providing up to 13+ stops of dynamic range.

The GH6 features a 3.68M-dot OLED electronic view- finder and is equipped with dual card slots: a CFexpress (Type B) slot and an SD UHS II

slot.

A New Approach: Shooting Common Subjects in Different Ways

Surgeonfish, Red Sea, photo by Rico Besserdich
Abstract macro: Surgeonfish, Red Sea, by Rico Besserdich. Gear: Canon 40D camera, Canon EF-S 60mm macro lens, Ikelite housing, two Sea&Sea YS110 alpha strobes. Exposure: ISO 200, f/8, 1/90s

If you have been diving the same area with your camera for a long time, shooting the same animals and scenes again and again, sooner or later the question “What more is there?” might arise in your creative mind. It starts as a mild breeze and can end up a storm.