Is underwater photography difficult? Actually, no—at least, not to any significant degree when compared with any other discipline of photography. Each single stage of creating an underwater photograph, if seen in isolation from the rest, is not so tricky. It is the sum of all its parts, as well as mastering the whole, which can appear confusing at times.
Ikelite's has announced its updated “200DL” series housing.
Nauticam has unveiled its new housing for the Canon EOS R6 Mark II.
We asked our contributors what their favorite minimalist underwater photos were and they returned with a creative mix of macro, wide-angle and close-up abstract images in color and black and white.
There are several ways to create dramatic images when you are shooting photos underwater: strong compositions, compelling behavior, exotic subject matter and of course lighting.
What is the origin of the unique lakes in the Volcanic Eifel region of Germany? In short, they were created from an explosion of water vapour when lava from a hot spot under the region met with groundwater thousands of years ago. The explosion created a round funnel, or crater, with earthen walls, which was later filled with rainwater. That is why the water is really clear and has rather good visibility.
In underwater photography, "scale" can mean a couple of things: how big or small a thing is or the myriad of tiny plates on the skin of a fish. We asked our contributors what their favorite underwater photos were that showed scale. And playing on the pun, they came back with a creative mix of macro, wide-angle and close-up abstract images.
Many marine creatures have defensive mechanisms—they may sting, have venom, sharp spines, warning colors, or bite. We asked our contributors what their favorite underwater photos of these bold and beautiful critters were, and they came back with a variety of subjects like colorful nudibranchs, cnidarians that sting, scorpionfish with sharp spines, sharks and even crocodiles with sharp teeth.
We asked our contributors what their favorite underwater photos were of the legs, arms or tentacles of critters underwater. And they came back with a variety of subjects from curious crustaceans and cephalopods to jellyfish, sea stars, feather stars, frogfish and even people underwater.
We take photographs for different reasons: to identify the sea life we find, for the sheer pleasure of making images, or perhaps as a method of personal expression. It is the latter, personal expression, that leads us to the creation of art. John A. Ares discusses the creative use of compositing in postproduction.
