Still photography

Seascapes: Contributors’ Picks

Photo by Matthew Meier: Scalefin and purple anthias over leather soft coral and a sea fan covered in pink and purple soft corals, Bligh Waters, Fiji. Gear: Nikon D810 camera, Nikon 16-35mm lens, Subal housing, Sea&Sea D3 strobes. Exposure: ISO 800, f/6.3, 1/125s

We asked our contributors to share their favorite photos that show underwater seascapes, and they came back with a range of wide-angle shots, featuring a variety of marine life large and small.

Pairs & Companions: Contributors’ Picks

Photo by Anita George-Ares
Photo by Anita George-Ares. Thorny seahorses, Dumaguete, Philippines. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 60mm f/2.8 macro USM lens, Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/11, 1/160s

We asked our contributors to share their favorite photos that show pairs and companions, or two of a kind, and they returned with a range of macro to wide-angle shots, featuring a variety of marine life large and small from around the world.

Generative Fill in Underwater Photographs

Original photo superimposed over Generative Fill created in Photoshop

Artificial intelligence has been in the news lately, especially generative AI. It seems like every industry is trying to put this technology into their products, including image-processing apps. Michael Rothschild takes a closer look and gives examples in underwater photography.

Triptychs: Contributors' Picks

Great White Triptych, by Gary Rose. This photo was taken in Guadalupe Island, Mexico, and printed on white aluminum panels. Gear: Nikon D500 camera, Tokina 10-17mm lens at 17mm, Nauticam housing, Inon Z330 strobes. Exposure: ISO 320, f/11, 1/125s

We asked our contributors to create an underwater “triptych,” and they returned with an artistic range of color, black-and-white and toned compilations, from abstract close-ups to wide-angle shots, featuring a variety of marine life, large and small, as well as divers, on reefs and wrecks, and in open water, lakes, and even an aquarium.

Variations on the Theme of Opposites: Contributors' Picks

Photo by Anita George-Ares: Moray eels, Maldives. Gear: Canon EOS Rebel SL1 camera, Canon EF-S 18-55mm f/3.5-5.6 IS STM lens (at 26mm), Ikelite housing, two Ikelite DS161 strobes. Exposure: ISO 200, f/8, 1/160s

We asked our contributors to share their favorite underwater images showing variations on the theme of “Opposites,” and they came back with a diverse range of color and black-and-white photos featuring marine life from large whales to tiny nudibranchs and fellow divers on reefs and wrecks, in caverns and cenotes as well as open waters.

Sequential Shots

The transition from analog to digital cameras has been a boon for photographers, granting them unlimited shots and freedom of movement. These circumstances lend themselves well to the technique of shooting sequential stills. Underwater photographer Claudio Ziraldo shares his insights and tips on taking sequential shots underwater.